The study of a marriage. Jo has five children and husband number two when she meets writer Jake Armitage. She leaves this husband to marry Jake, and his career takes off. A few years and at least one child later, Jo is deeply depressed, breaking down in the middle of Harrods. After psychiatric care and the prospect of a new house in the country, she gets better; then, she is pregnant again, and this time Jake objects. Jo consents to an abortion and sterilization in the belief it will make her marriage happy again, but afterwards she learns ugly truths about Jake. She confronts him. "Why did you marry me?" and "What should we do?" become nearly unanswerable questions.



viewer's comments:


- Brilliant Study Of A Marriage
There are scenes from this movie that have been burned into my memory for years-- Anne Bancroft being accosted a crazed and lonely housewife while in a beauty parlor, her nervous breakdown in the middle of Harrod's in London, James Mason revealing her husband's infidelity to her cruelly while having tea at the zoo-- The Pumpkin Eater is one of my favorite movies. Anne Bancroft never gave a better performance-- she is startlingly good-- plus the excellent Harold Pinter screenplay and the brilliant direction of Jack Clayton-- this film is an eloquent essay on isolation and emptiness among other things. I recommend this film to all serious students of acting, writing, and directing.



- A great yet unheralded film.
A real sleeper, not too many people know of this extraordinary film. It was somewhat dismissed as a "Woman's Picture" when first released even though Anne Bancroft received a Best Actress Academy Award nomination. The amazing cast includes a small cameo-like performance by James Mason which is one of his best. When given the chance to view this film, DON'T MISS IT.



- Virtuoso film-making highlights a brutally satiric examination of modern marriage
The Pumpkin Eater, which for many years was my favorite movie, is a neglected masterpiece of the British New Wave. I'm not sure whether its lack of recognition is attributable more to its misanthropic point of view or to Jack Clayton's sparse filmography (he never developed the immediately recognizable personal style required for elevation to the auteur pantheon). It didn't help that initial reviewers badly misunderstood the film -- Dwight Macdonald thought it was a typical "women's film", meant to provide erotic titillation! On the other hand, feminist critics probably weren't eager to defend a film that could be interpreted as anti-abortion propaganda (also a misreading). Perhaps a more mature feminism will reclaim this film.

Admittedly, the movie is difficult to understand on a first viewing -- both because of its intricate flashback structure and its complexities of tone and attitude. It took me several viewings to fully sort out the plot, and several more to realize what I was actually seeing -- a very, very black comedy. In this respect it's worth placing with the darkest works of Evelyn Waugh or Henry Green.

The film catches its participants at the top of their form: Pinter never wrote a better screenplay, Anne Bancroft (arguably) never gave a better performance, Peter Finch certainly didn't, and Maggie Smith and James Mason are deliciously evil in supporting roles. There are too many marvelous moments to list them all, but watch especially for the zoo scene between Bancroft and Mason (who are clearly having a great time) and for the slyly-written scene where Finch learns that his wife is pregnant -- again.

So why is it no longer my favorite movie? My admiration for its technique is unabated, but as I get older I find the film's nasty tone harder and harder to take. There's not an admirable human being in the whole movie -- they're all foolish, duplicitous, or vindictive. I can't live with these people, much as I've enjoyed eavesdropping on them over the years.



This film is a crystal clear quality print. It has a small tv logo in the bottom right hand side.
cast: Anne Bancroft .... Jo Armitage
Peter Finch .... Jake Armitage
James Mason .... Bob Conway
Janine Gray .... Beth
Cedric Hardwicke .... Jo's Father
Rosalind Atkinson .... Jo's Mother
Alan Webb .... Jake's Father
Richard Johnson .... Giles
Maggie Smith .... Philpott
Eric Porter .... Psychiatrist
Cyril Luckham .... Doctor
Anthony Nicholls .... Surgeon
John Franklyn-Robbins .... Parson
John Junkin .... Undertaker
Yootha Joyce .... Woman.



Runtime: USA:118 min
Country: UK
Language: English
Black and White
plain packaging



There are scenes from this movie that have been burned into my memory for years-- Anne Bancroft being accosted a crazed and lonely housewife while in a beauty parlor, her nervous breakdown in the middle of Harrod's in London, James Mason revealing her husband's infidelity to her cruelly while having tea at the zoo-- The Pumpkin Eater is one of my favorite movies. Anne Bancroft never gave a better performance-- she is startlingly good-- plus the excellent Harold Pinter screenplay and the brilliant direction of Jack Clayton-- this film is an eloquent essay on isolation and emptiness among other things. I recommend this film to all serious students of acting, writing, and directing.
dmwhite50 (dmwhite50@yahoo.com)